conuly: (Default)
[personal profile] conuly
Person A: You know you're supposed to finish the laundry if you start it during your shift!

Me, silently: Don't think of it as my three loads of laundry that I didn't finish during my shift, think of it as your three loads of laundry that I got started for you. Though really, if Person B had done her laundry during her shift like she should have then neither of us would be having this conversation today.

(There was no reason for all four of the women to have their hampers literally overflowing with clothes. Somebody, or more like several somebodies, clearly has been falling down on the job here.)

Non-Stop by Brian W. Aldiss

17 May 2026 08:56
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


Believing the Ship is the whole universe is just common sense. So believe the people in it, but they are not the orphans of the sky they believe themselves to be.

Non-Stop by Brian W. Aldiss
reblogarythm: (saturday)
[personal profile] reblogarythm

  1. I · Coming into the Space
    by Robert Fripp
    https://www.youtube.com/watch?v=8RY0MAfyl4k
    the first little bit of a talk Robert gave last summer
    via rss

  2. Edmonton mayor defends hybrid work model amid push for return-to-office
    by Emily Williams
    https://www.cbc.ca/news/canada/edmonton/edmonton-mayor-defends-hybrid-work-return-to-office-9.7201513
    hard agree with the mayor and the union on this one
    via rss

  3. Peter Jackson Negotiating to Adapt ‘Other’ Tolkien Books?
    by Daniel Stride
    https://phuulishfellow.wordpress.com/2026/05/16/peter-jackson-negotiating-to-adapt-other-tolkien-books/
    i agree with him on this
    via rss

  4. King Tubby
    An Influence on Practically More Genres Than Anyone Else
    Except Perhaps Elvis Presley

    by Paul Dickow
    https://www.furious.com/perfect/kingtubby.html
    a cogent argument. all hail the King!
    via remembering it from years decades ago when it came up in conversation

  5. Music Genres
    by [profile] vyl3tpwny
    https://www.tumblr.com/vyl3tpwny/727689190996885504/music-genres
    following nicely from previous link (and indeed, it came up before previous link in the conversation)
    via discord

  6. Mythgard Academy, The Peoples of Middle-earth, Session 29
    by Corey Olsen
    https://www.youtube.com/watch?v=i-153TUZq-c
    the end of a decade+ long project. with Tolkienian anti-colonialism to boot!
    via listening through much of the previous stuff

And I live by the river

17 May 2026 02:36
sovay: (Renfield)
[personal profile] sovay
The trees were ghost-green in the water with the hard white shine of the LEDs, but [personal profile] spatch photographed me in the stoplight.



WERS came out with the menacingly catchy drive of the Clash's "London Calling" (1979) while I was running an errand and it felt just a little unnecessarily Ballardian. Nothing else has happened to me particularly, but reading any kind of news feels like choking on the future. I can remember not being this sick, this poor, this pressed, which differentiates me not at all from most of the people I know. The exhaustion feels unreal and the last ten years like a sociological demonstration in the capacity of things always to be worse.
conuly: (Default)
[personal profile] conuly
The trick is that the top arm needs to be firmly clipped to the drawer - not jammed to the back wall. Time will tell if my fix lasts.

Edit: No, X*, not thank god, thank me. I'm the one who fixed it! God had nothing to do with any of it!

* Not the real initial.

Thread by Essex Hemphill

20 May 2026 18:36
conuly: (Default)
[personal profile] conuly
Trying not to think of you
yet your face colors
every contour
of my mind.
And every way I turn
inside of a minute
I collide
with your laughter.
I am wind,
and you
are chimes.


******


Link
hamsterwoman: (John Robins -- larkin)
[personal profile] hamsterwoman
Oh right! I completely forgot to post about the FIRST thing I consumed specifically for Hugo homework, which was actually KPop Demon Hunters. I was home alone when the Hugo shortlist came out, and it’s on Netflix, so that seemed like a good way to pass the time. I feel like all my friends have watched KPop Demon Hunters already, but I’ve been low-key avoiding it because, a) I have no interest in KPop and b) anime is basically one of my anti-genres/mediums, where even if it’s about something I like, the anime style makes it more difficult for me to enjoy the story (I know this isn’t anime per se, but it was indeed too anime for me, as friends who know my anime opinions warned me), and that seemed like a bad combination to subject myself to for no reason. But Hugo homework is a reason, and I’ve subjected myself to way worse for its sake.

Honestly, I enjoyed it more than I expected, although to be fair my expectations were quite low. More,with spoilers )

I’m sure there were deeper things and also inside jokes I was missing, but I enjoyed it on my level anyway. I haven’t (yet, but I’m not sure if I will, either) watched any of the other nominees, so I have nothing to compare it to, but on its own merits, I wouldn’t be mad if it won.

*

Back to Elis & John. And in my “Retro Oner” journey, I’m working through the Radio X episodes May - December 2016 )

And, outside the cut for easy finding: Radio X episode 117, 9:56 – Elis singing in Welsh, which I don’t think I’ve ever heard before, and it is incredibly charming! Not just the singing, but the tiny stumble as he translates it into English for them, including having to switch the noun-adjective order. I mean, I love hearing Elis sing and I love hearing Elis speak Welsh, so it figures I’d love it when he was doing both at once, so no surprise there, but I just really, really love it, out of all proportion to the length of the clip and inanity of the song. (I’ve listened to it so many times XD)
reblogarythm: (friday)
[personal profile] reblogarythm

  1. Simone Giertz reads mean comments
    by Simone Giertz
    https://www.youtube.com/shorts/s6Kz84XWYis
    possibly not mean in the way you're thinking?
    via rss

(no subject)

16 May 2026 07:53
skygiants: Mae West (model lady)
[personal profile] skygiants
I do think there is a particular charm, a particular interest, in a biographer who is really visibly in love with their subject. Like, you probably wouldn't want it in every biography. But it's nice to know that the author really extremely wants to be there. It gives an enjoyable sort of tension to the reading experience: at what point is the book going to go off-the-rails because the author has spontaneously transmigrated back to 1931 in a doomed attempt to alter the course of history and fix Buster Keaton's Hollywood career with the power of her passion alone? It could happen! It feels like everything has been foreshadowing it!

Obviously Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the of the Twentieth Century does not in fact go off the rails in this way, it does actually remain an interesting and readable biography that uses Keaton's life and career as a jumping-off point to explore the times in which he lived. In the book's introduction, Stevens explains that her fascination with Keaton is such that whenever I heard about something that took place between 1895 and 1966, I found myself trying to fit that event or phenomenon into the puzzle of his life and work. (She also uses the introduction to share a poem she wrote about Keaton. It's not bad!) Anyway, this is a pretty fruitful methodology that leads her to down various side paths to explore not just the history of early cinema but other twentieth-century touchstones such as changing child labor laws, vaudeville and minstrel shows, the rise of Alcoholics' Anonymous, and the career of F. Scott Fitzgerald.*

Often these aren't things that directly impacted Keaton -- Keaton never participated in AA, for example; by the time the program started to gain popularity, Keaton had already hit his rock bottom and come out the other side -- but they run along parallel tracks, such that Keaton's life casts a mirror on the phenomenon or vice versa, or there's an interesting alternate pathway to be imagined where they did indeed intersect. Keaton and Chaplin only worked together once, but you can't help but compare/contrast their trajectories; Keaton and Fitzgerald may never even have met at all, but the downward arcs of their careers were both intertwined with MGM executive Irving Thalberg, on whom Fitzgerald based his last novel.

(Also, it can't have helped with Fitzgerald's fascination, says Stevens, that Thalberg was also extraordinarily good-looking, slight-framed and serious-faced, with large, liquid brown eyes and wavy black hair -- an appearance not unlike that of a certain slapstick comedian whose contract his company had just acquired. We DON'T know they met but we DO know that if they did, Fitzgerald would CERTAINLY have thought Keaton was hot!)

It feels, in other words, like exactly what it is -- a book written by a person whose obsession with one individual has led them down a number of other interesting rabbitholes, to fruitful if not entirely cohesive results. If Keaton had been a fictional character, this might have been a 120K fanfic with a number of beautifully researched, oddly specific chapters. Because Keaton is a real person, we got this book. I had a great time!
oursin: Books stacked on shelves, piled up on floor, rocking chair in foreground (books)
[personal profile] oursin

Dr rdrz are by now aware that one way to irk the hedjog is to compile lists of the 100 Greatest Novels that Everybody Should Read.

Especially when a) you go culturally woezing:

Never has such a list been more needed. Dwindling attention spans, screens, Netflix; whatever we blame, reading for pleasure is a dying pursuit. Half of adults in the UK say they never read, and levels among children and young people are at their lowest in 20 years. This year has been declared the National Year of Reading to address this crisis. “Read the best books first, or you may not have a chance to read them at all,” Henry David Thoreau advised. We are here to help.

We have so been there before with producing Books of the Month Clubs and curated tastefully leatherene bound libraries for your otherwise bare shelves.... There is A History.

And b) in There Is A History, the article actually admits that These Lists Change Over Time!!! and certain 'Big Beasts' who were considered Timelessly Major Urgent Phalluses some decades ago are Out! Out! Out!

Is anything more wearisome than the implicit 'should' that haunts these lists?

I am so there for this apercu:

But where is Nancy Mitford’s glittering 1945 The Pursuit of Love, which deserves a place for its last two lines alone? The comic novel, like science fiction and crime, rarely fares well in bookish horse races.

One notes with a slight groan what are considered (hattip to Stephen Potter) the 'okay' sff/crime titles.

Personally, we would not take reading advice from Mr Thoreau to begin with, and we sit here, hymning the work of those presses that are recovering the neglected and overlooked (perhaps overlooked is better than 'forgotten', I mutter to myself) works from the past that do not make the big bowwow lists like this - Furrowed Middlebrow, Persephone, British Library Women Writers and the mother of them all, Virago.

Mae'r Ddaear yn Glasu

16 May 2026 10:20
greenwoodside: (Default)
[personal profile] greenwoodside
Right now, gardening is my fandom. It's been on my fandom wish list for a long time, but this is the first year I've really been able to turn it into an active practice, as opposed to reading about it. There are eleven small tomato plants grown from seed now dotted around the house and in the sunniest spots outside. I've got maybe seven little beetroot seedlings, a pot of perpetual spinach that's vigorous enough to eat from, and a determination to persuade some monarda didyma seeds to germinate, no matter what. I lack the necessary vein of ruthlessness to be a really good gardener, but even being a bad gardener is rather fun.

Photos

Read more... )

Mate Cocido

Read more... )


Life

 

Read more... )

Books

Read more... )

 

Audio Books

Read more... )

 

Music

Read more... )
anghraine: leia hugging luke at the end of esb (luke and leia [hugs!])
[personal profile] anghraine
It's still May 15th here! 10 PM, here we go:

1. Take five books off your bookshelf.
2. Book #1 -- first sentence: "Every female wants to be loved by a male."
3. Book #2 -- last sentence on page fifty: "This says you were born in 1963."
4. Book #3 -- second sentence on page one hundred: "He said, No."
5. Book #4 -- next to the last sentence on page one hundred fifty: "I determined, therefore, to be carefully upon my guard, not to betray the imposition, which could now answer no other purpose, than occasioning an irreparable breach between her and the Captain."
6. Book #5 -- final sentence of the book: "If we meet now and in the future, we writers and readers of SF, to give each other prizes and see each other's faces and renew old feuds and discuss new books and hold our celebration, it will be in entire freedom—because we choose to do so—because, to put it simply, we like each other."
7. Make the five sentences into a paragraph: lol probably should have at least selected only fiction or non-fiction for this. Oh well! Let's see, interpreting "paragraph" loosely, but:

If we meet now and in the future, we writers and readers of SF, to give each other prizes and see each other's faces and renew old feuds and discuss new books and hold our celebration, it will be in entire freedom—because we choose to do so—because, to put it simply, we like each other. I determined, therefore, to be carefully upon my guard, not to betray the imposition, which could now answer no other purpose, than occasioning an irreparable breach between her and the Captain. Every female wants to be loved by a male.

"This says you were born in 1963."

He said, No.


For the record, the books in the original numbering order: Book #1 = The Language of the Night (Ursula K. Le Guin), Book #2 = Evelina (Frances Burney), Book #3 = Black Water Sister (Zen Cho), Book #4 = Essais (Michel de Montaigne), Book #5 = The Will to Change: Men, Masculinity, and Love (bell hooks).
sovay: (Silver: against blue)
[personal profile] sovay
The sun came out just in time to set and I caught a handful of pictures in its gold flare of light, mostly lilacs and shadows.

Dyna oedd yr awel, hwn yw y corwynt. )

I baked cornbread tonight with dinner, which I may not have done for a year. I had wanted some for weeks. Any time things could get easier, just for the hell of it.
[syndicated profile] acoup_feed

Posted by Bret Devereaux

Hey folks, fireside this week! Next week we’ll cap off our look at the Carthaginian army by covering some of the ‘odds and ends’ components (slingers, elephants), before looking at how that mixture of troop-types was employed in battle during the third century.

Percy, enjoying a look out of my office window through the curtains.

For this week’s musing, I figured I would answer a question that always come up in discussions of the Second Punic War: why didn’t Hannibal just take Rome? First it is worth noting this is hardly just a modern misconception – the idea that Hannibal ought to have just stormed Rome itself after Cannae shows up even in the ancient sources. But the answer to ‘why didn’t Hannibal just take Rome’ is that he couldn’t.

I want to address two different versions of that question, one which asks why he didn’t take Rome and one that asks if Hannibal should or could have taken Rome if he had siege equipment, reflecting an assumption that it was just Hannibal’s lack of siege equipment that prevented him from swiftly taking the city.

Let’s address the siege equipment side of the equation first: I think this assumes siege and defense technology more akin to warfare in the age of gunpowder where siege artillery both needed to be produced in advance (you can’t throw together cannon in a hurry) and then moved to the siege site and also where attempting to breach a fortress without cannon simply wasn’t going to work.

By contrast, the basic elements of siege warfare in antiquity are not catapults, but earthwork ramps, wooden towers and battering rams, all of which can be constructed on site out of local timber resources. Catapults – which in antiquity means torsion-powered catapults, not counter-weight or traction trebuchets – required more engineering expertise and preparation, but were often a ‘nice to have’ element of a siege, not a ‘must have.’ Catapults aren’t usually expected to breach walls, but rather to degrade them by smashing apart the crenelation (the zig-zag pattern that creates a protected fighting position on the top of the wall) or collapse towers.

That said, after Cannae, Hannibal has access to Capua and Tarentum – both of which revolted from the Romans in the aftermath of the battle. Between the two (and his soon alliance with Philip V), if Hannibal needed engineers who could build him torsion catapults, he can absolutely get them. His army is certainly also capable of building ladders, rams and towers, though again this would be done on site. In short, if Hannibal wanted to get siege equipment, he absolutely could.

Siege equipment isn’t the problem: logistics and geography are.

Rome is located along the Tiber at the meeting point of two regions: Latium (where the Latins live) to the south and Etruria (modern Tuscany, where the Etruscans live) to the north. Rome itself, in 216 is a walled city that hasn’t yet spilled well outside of its walls (as it will do in the two centuries following). It’s also not undefended: Roman recruitment focuses on relatively young men (from 17 to the late 20s), meaning that even after the disaster of Cannae, Rome does not lack 30- and 40-year old veterans able to take up arms to defend the city. Recall that the Roman dilectus normally only recruits iuniores (ages 17-46), but could recruit seniores (47+) in an emergency or to garrison the city itself against attack. So if Hannibal marches on Rome, he will find a walled city with a large garrison.

That means a long siege, even if he has siege equipment. Remember, catapults aren’t going to produce a breach quickly: their purpose is to degrade fortifications to enable escalade (attacking over the wall) using towers, ladders or – most reliably and frequently – an earthwork ramp (called a mole). If he attacks Rome (or any other large, fortified town) Hannibal is going to be stuck in place for quite a while.

And that’s a fatal problem, for reasons that have to do with that geography. Even after Cannae, none of the towns of Etruria or Latium have revolted from Rome. What that means is that the territory around Rome is studded over with Latin and Etruscan towns – functionally all of them walled. To march from the nearest major friendly settlement (Capua), Hannibal would have to bypass about a dozen fortified Latin towns, leaving them intact and hostile in his rear.

Which in turn has two obvious operational problems. The first is that the Romans can continue raising military force, so while Hannibal settles down to spend months besieging Rome, the Romans could be pulling together another massive army from their Italian socii, which would be forming up behind Hannibal. That in turn puts his smaller army in a really risky position and does so while he is effectively rooted to one spot and thus unable to maneuver. And that matters because Hannibal’s run of success up to this point has been in a large part predicated on his ability to maneuver and thus have the Romans engage him on ground of his choosing. By besieging Rome, he’d be allowing the Romans to dictate where and when their relief army challenged his siege and forced a pitched battle.

But there’s another even more immediate problem: logistics. Because the towns of Latium are fortified, Hannibal cannot access their grain stores without seizing them, which he cannot do without besieging them. The short of lightning campaigns of conquest that generals like Alexander III perform relied in no small part on cities like this ‘surrendering in advance,’ but the Latins and Etruscans had already refused to do this (and indeed, had also not done it when Pyrrhus actually did a lightning intimidation march on Rome back in 280; he couldn’t stop to besiege the city either).

Worse yet, with those cities garrisoned and untaken in his rear, Hannibal’s ability to forage supplies would be fatally hampered. If he tried to dispatch foraging parties – dispersing his already numerically inferior force – he would be vulnerable either to having his small foraging parties picked off by forces sortieing out of those Latin or Etruscan towns or, if he greatly enlarged his foraging party, to having his besieging force overwhelmed if the large Roman garrison sallied out.

In short, the presence of fortified Latin and Etruscan towns all around Rome, dominating the countryside and thus the agricultural supply base Hannibal needed for operations in the region, fatally complicated any effort to besiege Rome directly. In order to move against Rome directly, Hannibal would have needed to painstakingly besiege each Latin town in turn until he could open a clear supply route from Capua through to Rome.

In practice, what actually happens is that Hannibal first focuses on trying to secure his new ‘base’ in southern Italy and ends up basically playing whack-a-mole: Hannibal’s army could only be in one place, but the Romans could deploy multiple armies. Usually, one of these armies shadowed Hannibal to limit his foraging, contain his movements and frustrate his efforts to besiege settlements that remained loyal to Rome, while another army advanced the task of systematically reducing the communities that had revolted, besieging them one by one. Hannibal is able to win some victories in that struggle, but never to actually take the initiative and so he ends up slowly but steadily losing ground.

One of these days, I suppose, we ought to do a full run-through of the Second Punic War, because there is a lot more war happening then most casual students of ancient history generally realize. The Romans and Carthaginians (and their allies) are in any given year actively engaged in major operations in southern Italy (usually with more than one Roman army) and Spain, with supporting operations in Illyria (against Philip), Sicily (against Syracuse) and northern Italy (against the Cisalpine Gauls), all supported by naval operations (both sides have active fleets, although the Carthaginians make a clear choice not to directly challenge the Roman navy). So there’s a lot going on in most years that simply don’t get covered in treatments of the war unless they go really in-depth.

Fortunately, if you do want to untangle the first two Punic Wars, this week’s book recommendations will help you do so.

Ollie (top) saying hello while Percy (below) keeps watch out of the window. Percy is always very vigilant to make sure that the leaves outside make no sudden movements to invade – though he also stands at the ready to repel them, should any leaves make it inside.

On to Recommendations.

I want to lead with L’Expérience Hoplitique, titled in English The Hoplite Experiment: about the routes in ancient Greece, a fascinating effort to simulate hoplite battle with reenactors at scale (200 to each side). Now I think it is worth noting up front that this sort of experimental approach is almost unavoidably wholly captive to its assumptions: these fellows aren’t in actual mortal peril (or even wearing armor) and so they are not responding organically to a threat environment: instead they are playing a role laid out by the organizers, so the results of the experiment will be to a very large degree controlled by the assumptions of those planners. Nevertheless, there’s a lot of value here, because of the ways such an experiment can reveal or demonstrate the emergent properties of those assumptions. In particular, the dynamics of the advance and the rout here – essentially experiments in crowd dynamics – are quite revealing. That said, I think the use of a more-or-less shoving othismos here (it appears only briefly because they were trying to study the rout) is a product of reenactors using blunts and I remain deeply unsure that real humans would really stay that close for that long under that much threat.

We also got a new Pasts Imperfect this week, which features an interesting essay by Matthew Vernon connecting the film Sinners (2025) with the medieval Old English epic Beowulf. I find I really like Vernon’s restrained but interesting argument here – not that Sinners adapts or even was inspired by Beowulf, but that the two stories are riffing off of the same themes of sin and the unknown, ‘how novel social arrangements emerge in times of terror’ and of course expressing that terror (in the real world the product of real humans) as monstrous outside forces. Humans being humans, we tend to return to similar stories to express similar anxieties, a reminder that we are connected by our humanity even when separated by gulfs of centuries.

Also worth noting in the same issue of Pasts Imperfect is the important story that the ACLS, the American Historical Association and the Modern Language Association were able to win a court case over the mass cancellation of grants at the NEH (the ‘DOGE’ing’ of the NEH, as it were). We’ve talked before about how small a portion of the federal budget the NEH represents, how meager humanities funding is and yet these cuts left pretty deep wounds in fields that are already struggling. Equally, PI includes one of the many videos to come out of the depositions for this case which are, collectively, remarkably revealing in just how vapid the DOGE’ing was, an exercise of raw power by individuals – most of them quite young and inexperienced – who did not understand much of anything about the programs and projects they were killing.

Finally, on a modern military topic, I want to highlight over at Secretary of Defense Rock (SODRock)’s History Does You, an essay, “Square Peg in a Round Hole: AirPower against Mobile Targets and Missiles: A Case Study of Operation Crossbow, Scud Hunting and Iran.” SODRock here makes the point that the failure to disable Iran’s missile arsenal – upwards of three-quarters of which remains intact, reportedly – actually fits into a broader pattern where mobile launch systems are simply extremely hard to target effectively from the air. Readers will, of course, know that I think that the sharp limits of airpower is a lesson that both military and civilian leadership need to take on board and have also largely failed to do so. Airpower remains seductive because it feels easy and safe, but it is also often ineffective. It is not an easy solution to use in place of the hard solutions of diplomacy or boots-on-the-ground.

On to this week’s book recommendation and here I have something of a two-fer for you all. I’m going to recommend what I think are the best two campaign histories of the Punic Wars, J.F. Lazenby, The First Punic War: A Military History (1996) and J.F. Lazenby, Hannibal’s War: A Military History (1998). Both have been in-print for basically forever, so the volumes are affordable and it isn’t hard to find used copies floating around.

Now I feel like I need to be clear what these books are and what they are not. These really are campaign histories: the focus is on the movement of armies, the position, nature and outcome of battles and the overall strategic position. There is some broader thematic analysis – Lazenby is willing to critique Carthaginian strategy (unfairly, I’ve argued) and praise Roman strategy (fairly) and recognize the greater effectiveness of the Roman military system (also fair) – but this is not a ‘war-and-society’ approach, nor is Lazenby aiming to give the reader a description of the whole of the Roman or Carthaginian military system. Instead, both volumes are a ‘and then what happened…’ narrative of their respective wars. Generally, I think one might fairly critique these books as being, as we’d say, somewhat ‘under-theorized’ in that regard.

That may sound rather more negative than I intend, but I don’t mean it as such – I am simply pointing out what Lazenby has not attempted in these two books.

What Lazenby has attempted in these two books is to provide that clear, direct campaign history. That turns out to matter quite a lot because these are big, long wars with many moving parts. The First Punic War (264-241) lasts 23 years and is fought at sea and on land (on both Sicily and North Africa, with brief raids into Italy and Corsica and Sardinia), while the Second Punic War (218-201) runs a ‘mere’ 17 years and has fronts – often simultaneous fronts – in northern Italy, southern Italy, Spain, Sicily, North Africa, Corsica and Sardinia, Illyria and Greece. The sources for these wars are also complex: Polybius is great when you can get him, but he ‘cuts out’ (lost text) for much of the Second Punic War and even for the First Punic War where his full treatment survives, his narrative can be usefully supplemented by other sources (often very obscure other sources).

Lazenby takes all of that – the various fragmented, sometimes conflicting, scattered sources and the complexities of tracking operations in a bunch of different theaters – and forms it into a single narrative that lets the reader track the development of each war on a year-to-year basis. The ample notes also let the reader themselves quickly find the passages he is looking at to see why Lazenby makes the assessments he does. In this sense, I think the two Lazenby volumes provide the best foundation to then begin pushing into some of the more ‘thematic’ treatments of elements of the war, which often presuppose a basic knowledge of what happened, where and when. I will note that Lazenby’s prose is more than a little dry, but that can be its own virtue: he is generally quite clear, valuable when trying to keep track of a complex conflict with many moving parts.

Blood for the Blood God!

15 May 2026 23:26
sorcyress: Drawing of me as a pirate, standing in front of the Boston Citgo sign (Default)
[personal profile] sorcyress
Anyways, I'm having a splendid day!

I managed to get through work mostly well, and then it was off to Science Park to meet up with Alexander and drag them around to the blood donation center at MGH. I enjoy having friends who are similar enough brained to me to totally get me saying "yeah, there's definitely a more efficient path to the blood donation center, but we are going to go the very long way around because that's the way I _know_".

I'm always happy to drag more new people to give BLOOD FOR THE BLOOD GOD. They went through the system much faster than I did, which is unsurprising --I basically always get to have bonus conversation with the investigative nurses who are Very Concerned that I checked the "heart problems" box. I've gotten pretty fucking irreverent about the whole thing, but I think mostly in a charming way. "Oh, you have to get down the binder! Yes, I believe it says patent ductus arteriosis is like the only heart thing that *doesn't* make one ineligible". It's amazing they don't kick me out for being insufferable, but it turns out they do really want my blood.

Anyways, we gave blood mostly asynchronously, but they very kindly hung around and waited until I had eaten enough snax for us to go home and Hang Out. Playing "I dunno, what do YOU want to do?" resulted in rifling through my stack of DVDs and then an extremely excitable moment of OH, how do you feel about horror movies? What about musicals? What about Christmas movies?

It's been a goodly chunk of time since I've watched Anna and the Apocalypse, is what I'm saying, and I'm pleased to have managed to do so with someone who could enjoy it in all its ridiculous genre-defying glory.

The rest of my weekend also seems like it is going to go Very Well. Tomorrow I am going to the MFA with my friend Apollo. I was sad because my dance-brother emailed to be all "I'm hosting a board game day very close to your house" with a start time pretty much exactly when Apollo and I are supposed to get to the museum. When I expressed the sad at Stephen, he pointed out that board games are gonna keep going until like one AM, so yeah, I will be going directly from one to the other.

And then Sunday you would expect me to try and get some grading done, and I probably will try? But there's secret English Dance calling practice in the morning (er, not practice for me, although I am reminded of the secret plan I was joking about in which I learn how to call other things so they invite me back to call ESCape sooner) and BIDA in the evening. Hm. HM.

The grades are due on Monday, and unfortunately this is not the end of the year, just last progress reports, so I do need to catch up and I also won't get an amnesty after. Ah well.

I hope your life is treating you kindly.

~Sor
MOOP!

Blech

18 May 2026 22:34
conuly: (Default)
[personal profile] conuly
Going on week two of random mid-sleep wakeups wherein I am convinced I have badly overslept and missed my entire shift.

What even is causing this? (Don't say stress, I'm sure it's stress! But what is causing the stress!? Is it lack of sleep? Because the lack of sleep sure ain't helping, gotta say.)

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anghraine: spock in the s2 episode "a piece of the action" correcting kirk's lies while kirk distracts him with a likely very real headache (kirk and spock [migraine])
[personal profile] anghraine
Reply to this post saying "icon," and I will tell you my favorite icon of yours. Then post this to your own journal using your own favorite icon, if you're one of those inhuman things that are actually capable of choosing between YOUR PRECIOUS BABIES! userpics.

(I am not one of those inhuman things, lol, even narrowing down to icons I myself hacked together, but this one speaks to me quite a bit these days.)

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Alison

March 2026

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