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Magic, G. K. Chesterton. Play readaloud. Really pleased to have found this for our group to read aloud together. It is very very Chestertonian, and generally delightful with excellent dialogue.

The Shortest Way to Hades, Sarah Caudwell. Reread -- this was the first of the Hilary Tamar mysteries that I read (having gotten it for 50 cents at the used bookstore), and I still think that Thus Was Adonis Murdered is a better place to start, but I liked this better on reread knowing the characters, and also watching all the clues slot into place as I knew the ending.

The Sirens Sang of Murder, Sarah Caudwell. This one I was reading for the first time, and it was fun like the others! I will read The Sibyl in Her Grave at some point, though I think not right away.

Too Like the Lightning/Trop Semblable à l'Eclair, Ada Palmer (tr. Michelle Charrier). On the home stretch -- I finished this in English, and am now catching up in French. In English this is my first time rereading since I read Perhaps the Stars, and it definitely gives a new perspective now that I know better the unnamed character in the penultimate chapter. Fun to get the bits about Rousseau and de Sade translated into French! (I'm probably going to go on to read the later books in English straight through and possibly in French later.)
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Sleep No More, Seanan McGuire. Book 17 in the October Daye eries -- at the end of the previous book, Stuff Happened that overwrote most of the cast's memories and reshaped the world they live in, they've been living in blissful ignorance for the last four months, and this book is about Our Protagonist & friends figuring out what's going on and how to fix it. Which is to say it's quite different from the rest of the series. This setup has some fun aspects, and lets us see some different sides of familiar characters, though Brainwashed Toby is less fun to be around in some ways. (I was hoping this would help with what I call the gentrification of this series -- it starts out with Misfit Changeling Toby navigating a mix of privilege and marginalization with a supporting cast of multiple changelings and other marginalized fae, but at this point pretty much every major character is some combination of magically powerful and well-connected politically.) The ending did seem to resolve super quickly. However Book 18 is coming out next month, and its plot apparently happens at the same times as Book 17's but with a different cast of characters, so maybe it will cast light on why the resolution of this book seemed so easy.

The Romantic Age, A. A. Milne. Play readaloud I actually knew that A. A. Milne wrote plays before he became famous for Pooh, because I picked up a biography of him on my parents' bookshelf when I was a teenager (though I'm not sure I finished it). Anyway, this is a generally fun and charming play, some of the themes reminded me of The Interior Life but with a less mature female lead and more mansplaining.

The Shadow Rising, Robert Jordan. Still making my way through this slowly between other books. Apparently being ta'veren makes one good at persuasion? At some point I should get back to a viewpoint character other than Perrin, but at least he's starting to realize that Faile is actually competent and not just a damsel in need of protection.

Too Like the Lightning/Trop Semblable à l'éclair, Ada Palmer (tr. Michelle Charrier). Still reading this with a group, a few chapters a week. I like the way JEDD's dialogue reads in French!
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Caesar and Cleopatra, George Bernard Shaw. Readaloud. Another Shaw that I had read when I was 12ish and remembered very little. I mean it's not surprising that I didn't notice how immature Cleopatra is in the play, I mean, I was like, 12. I'm not sure why Shaw chose to make his Cleopatra as immature as he did -- though he does make it clear that it's not just her age (she's 16), it's part of her character -- and I can see how he could come up with that, extrapolating back from the source material to Antony and Cleopatra. I think this suffers from comparison with Saint Joan, or even Pygmalion: Joan and Eliza Doolittle are Great Women of their sorts, if flawed, while Cleopatra is just a girl who has been Born Great. Caesar is interesting, though, as is the choice to make his relationship with Cleopatra not at all sexual. Apollodorus turned out to be the surprise fun swashbuckling character of the show!

Too Like the Lightning/Trop Semblable à l'éclair, Ada Palmer (tr. Michelle Charrier). Enjoying close reading this translation (and reading the original first for reference) -- though doing so means I notice the few things the proofreader missed, which is understandable, this is a hard book to proofread! (To make Eureka's messages look like text-speak, they are missing not only capital letters but also accent marks, except, oddly, that "déjà" is always accented.) Have got pronouns sorted out, though I should pay more attention to when the translator chooses to use "tu" vs "vous". Also I've learned, among other vocabulary, that the verb "irrigue" can refer to blood circulation, which makes the phrase "la manière dont le sang du monde l'irrigue tout entier" less creepy that it came across to me at first.

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Alison

June 2025

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